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Your cart is empty.Mic inputs (2): 1.2 kΩ balanced on XLR jack, mic-level, -11 dBu max. Line inputs (3): > 10 kΩ, -10 dBV nominal on RCA jacks, -10 dBV nominal on RCA jacks or Mini Jack, +20 dBV max. Level controls (4): Off to 50 dB gain (mic), Off to 12 dB gain (line) Output: -10 dBV nominal on RCA jacks or Mini jack (stereo), +16 dBV max. Frequency Response: 80 Hz to 40 kHz (±1 dB, mic input, -6 dB at 20 Hz with integral high-pass filter), 10 Hz to 20 kHz (±0.01 dB, line input) THD+N: -55 dB (20 to 20 kHz, mic input) Metering: Dual-LED VU Meter for Left and Right, calibrated to -10 dBV output Phantom: 24 V (IEC 1938: 1996-12) Noise:
Paul S. Racicot
Reviewed in the United States on February 18, 2015
I upgraded to this mixer from the Behringer MICROMIX MX400, which was ok, but was not stereo, and did not have the inputs I needed (they are all phone type inputs) I needed two XLR inputs (for a wireless microphone system) and stereo RCA inputs the RDL EZ-MX4ML also has a 1/8" AUX Stereo input for random iPods, iPads, laptops etc. The first time I used this mixer I was blown away by the crisp clean awesome sound that blasted out of my P.A. system. Clean highs, thunderous bass. The sound had no distortion - it's as if every component were directly attached to the system and the mixer did not get in the way. It was totally transparent, and the source material just mixed together and on into the loudspeakers. It is not as cheap as the Behringer, but it is way better.I do like the RDL power supply input - it locks in place with a 1/4 twist. This is very useful especially in permanent installations. I almost pulled it out by mistake - and it stayed in - no one wants the mixer to go off unintentionally and all the music disappears! If you need a transparent, clean mixer for a permanent installation - this is the one for you. Lots of useful inputs, highly reliable, and my favourite: clean, clean, clean mixing.
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