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Your cart is empty.Dramatic Fisheye views with exceptional optical performance, Full Frame sensor coverage, and features optimized for digital cinematography, has been made affordable for videographers who appreciate high image quality with quiet, silky smooth and complete aperture and focusing control. The extreme ultra-wide Fisheye perspective of 180 Degree created fills the entire frame, making it especially useful for action videos, tight quarter filming or scenes where distortion, exaggerated perspective, and extreme depth of field are desired. As part of the Rokinon Cine DS Lens System, the Rokinon 12mm T3.1 Cine DS Full Frame Fisheye offers features designed for the cinematographer including:1) De-Clicked aperture for smooth, seamless and silent adjustment 2) Tight color matching for consistent performance when swapping focal lengths3) Apertures calibrated in T-stops for an absolute measurement that is dependable from lens to lens 4) Dual calibrated right and left side of the barrel distance, depth of field and T-stop Scales for easier adjustment from either side of the camera5) Unified Cine DS System focus gear and aperture gear positions so that follow focus and other rig accessories won't need re-adjustment when swapping lenses. The optical design includes three Extra-Low Dispersion Elements and two A spherical Elements to control coma and chromatic aberrations. An advanced combination of Nano Coating plus Ultra Multi Coating is employed to reduce flare and ghosting to ensure high image quality in all lighting conditions. The Inner Focusing System (IF) design allows focusing to 7.9”while eliminating changes in length and rotation to keep the included petal type lens hood always properly oriented.
Robert Gonzalez Mora
Reviewed in the United States on May 17, 2024
Cristal clear image, sturdy lens.
Fernando M.
Reviewed in Mexico on December 9, 2024
Ok
Kai Staats
Reviewed in the United States on June 10, 2017
As with my other two Rokinon lenses, well made, perfect fit with all of my Canon gear. Great image.
bangzi
Reviewed in the United States on April 27, 2015
i'm not a video guy. the reason I wanted to try this lens is that it was eighty bucks cheaper than the photo version of the 12mm f2.8, seeming to be an identical twin. i was gonna use it for taking photos. well, folks, these two lenses aren't identical!two major differences: 1. the cine model doesn't have a chip in it, your camera won't recognize it. the photo version for Nikon has a chip in it and my cameras (d750 and d5100) do recognize it. 2. on d750 you can set up a custom lens for this in aperture priority mode, but you will have to settle with the camera default 13mm instead of its real 12mm while the camera can see the photo model at 12mm. with the same setup the photo model seems to be much faster.
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