Very good pedal but a little expensive 🫰I use it for classic acoustic and electric guitar.

It's really just a swell reverb, pun intended.It's really just a pedal that does trails that's the best way to understand it.You could use it as a reverb if you turn down the effect.It adds a movie soundtrack like effect. I doubt any other pedal comes close to this. This is like a Hans Zimmer like effect on mode 3 if you know how to dial in the right way. It's very hard to control it's unruly sound but it's funIt's kind of a unique pedal, but it gets a little annoying because it's easy and quick to make an overwhelming unpleasantness to the sound.Obviously this can be mitigated by someone who like knows how to use it very well. But this shouldn't h e to be the case.In general some pedals you just put the on almost any random setting and it sounds amazing, this is not the case here. it's like needs to be like delicately tuned? in isn't as user friendly as it seems and all the technical demo videos. It's easy to sound horrible too easy.Also I don't like the construction of it, for example the on-off switch does not click and it actually feels overly plastic

Great sounding machine

This is such a unique and beautiful sounding pedal, I can’t imagine my pedal board without it now. The ability to fill up such a wide range of frequencies and fill in the blanks of a song is unreal. You can have all the space filled without anything sounding cluttered. And layering guitars on top of this pedal always sounds great (especially when fuzzed out).

This effects box was like letting a sound genie out of a lamp......blown away.

There are a huge number of ambient ethereal effects in this pedal. It is a piece of art inside and out. I'm very impressed and pleased.

This pedal is extremely unique and versatile I particularly like the reverse sounds and the octave additives it is definitely one of a kind

First, I like this pedal. Second, I don't want to like it.PSA: I've started to notice that FV-1 chip pedals that rely heavily on feedback/lots of delays tend to vary from one to the next. From one OBNE Sunlight to the next the difference was enough to make choosing one over the other pretty easy. I've also noticed a lot of variance with the LORE, I don't know why, but across 3 pedals I tried they all sounded different. One had a low output but the best interaction, the other had much louder output but all the knobs had to be in different places to get a similar sound, and the third had a massive swell in the mids that couldn't be dialed out, making it sound far worse.This pedal fills a really weird niche that I really had hoped it wouldn't (too expensive). It gives me the slurred and sustained sound I've been looking for for a very long time, with fun octave and reverse options (the "programs" are flavors of the same more than they are anything different). Once I had it dialed in, which took some time, it quickly became a fixture on my board. It does something in one pedal that typically takes a lot more to accomplish. I just wish, given its release date, that they had updated its technology to match the rest of their line, especially for the price. $300 for a mono pedal that deviates one to the next as much as this one does really isn't acceptable - especially since its not really breaking new ground for Walrus, they've been in this sound arena for a long time. Going for a SHARC processor (see below) and tighter tolerances would have been a good move.Why this pedal exists is a mystery to me, particularly AFTER the release of the Mako series. Its my opinion that Walrus is missing a pedal just like this in the Mako line - ideally it would have focused more on the 'hold' features from the Slotva/slo or R1 instead of tap tempo - maybe with some additional sample controls. It could have been stereo and used the SHARC chip Walrus is already using across the Mako line. Instead, its mono, uses dual FV-1 chips, and has no hold or sampling controls. And its $300 which puts it up into the Mako line range. Why? I just don't get it. Its almost like a pedal that would have been scrapped unless they charged a massive amount for it and it somehow got released. FV-1 chips cost very little and Walrus has been developing on them forever, so why not go SHARC and stereo? I am just mystified for the price given when it was released. 5+ years ago, sure, but today it just comes off a bit out of touch.All that said, I nabbed one for $230 at Sweetwater NEW which is what I suggest everyone do since Amazon was a total jerk to me about their sale. Their customer service regarding pedals has disappeared and they will happily sell you barely discounted pedals, 'with no damage' but that actually have considerable damage and then refuse to work with you on it.

I love this thing! It makes wonderful background sound to put my music on. My only dislike is that they don't include a power supply. At that price, it seems ludicrous that they can't afford to include a $4 power supply.